Matter suggests a horizon.

As the research progresses, the surfaces generated by the process begin to evoke unplanned images. Through transparency, sedimentation, and variations in density, matter suggests skies, landscapes, and depth.

The landscape is not represented. It emerges as a perceptual possibility through the encounter between matter and observation.

This phase introduces one of the central principles of the research: the image is not constructed by the artist, but recognized by the viewer.