The void becomes image.

With Sospensione, the research gradually shifts from matter to the space it leaves unoccupied.

The cast material recedes, interrupting its own continuity and making the void an active part of the work. Absence is not what is missing, but what makes the emergence of the image possible.

The frame does not contain an image. It holds a perceptual threshold in which the viewer is invited to complete what the material leaves unseen.